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Dany ()
Dany Henrotin, who signs with only his first name, is best known for the ‘Olivier and the several soft-’ gag pages he created. After getting his degree in Fine Arts, he did his first work as the assistant of Mittéï. However, Dany has to end this collaboration because of his military service. But, during this period, he could find the time to do several short stories for Tintin magazine.
Demobilized, he joined Michel Greg’s art studios in Brussels, where he worked on among others ‘Les As’. In 1968, Dany and writer Greg created the ‘Olivier for Tintin, a poetic and humerous that was Dany’s first solo success. Continuing to work with Greg, Dany illustrated ‘Jo Nuage et Kay McCloud’, a parody on super cops. He did his first exploits in realistic with his 1975 collaboration with Jean Van Hamme: ‘Histoire sans Héros’. With the same writer he produced the burlesque ‘Harlequin’ , before he took over the artwork of ‘Bernard Prince’ from Hermann in 1978.
From the 1980s on, Dany focused on “, drawing his first soft- stories for Glénat’s Le Canard Sauvagge magazine. Dany’s breakthrough in soft- was however ‘Ça Vous Intéresse?’, that appeared in 1990 at P&T Productions. The following years, several other albums containing these ‘’ appeared. In 1992, Dany launched a new adventure about Central Africa, ‘Equator’.

Nicolas Devil (Nicolas Deville)
Nicolas Devil was one of France’s earliest artists. After Jean-Claude Forest pioneered with his ‘Barbarella’ , publisher Eric Losfeld started publishing . Losfeld’s catalogue contained among others work by Philippe Druillet, Guy Peellaert and Paul Cuvelier. Devil drew the and -fiction ‘Saga de Xam’ , a written by .

Dementia
Bondage, , bizarre artist. Bondage Obsession was published in 1995 by Eros . This is a hardbound book full of drawings done by an artist who calls himself Dementia ’94. Each page features nothing but HUGE-breasted women in some pretty indescribable situations

Loic Dubigeon
Graphic artist who works mostly in . His work is collected in “Sweet Submission” Volumes I and II.

Talent and fantasy ‘ perversa ‘: tied , lashes, expanded, used, reproduced with absolute realism, much to render the tears therefore true that vien it wants to graze the monitor in order to dry them.
In gallery the tables drawn mainly from “Soumission” and “Manuel de Civilité á ‘ usage the DES Grandes Filles”, and some designs from “Cent dessins pour illustrer Histoire of Or” (inserted in the gallery of “Soumission”).

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